This year the Tony Awards seemed to be a bit predictable as there where two shows that dominated the night with The Band Visit winning just about every musical award picking up 10 wins in their 11 nominations. In the realm of Plays, Harry Potter was the big winner picking up all the technical awards along with Best Play. Actors Andrew Garfield and Nathan Lane brought home awards for acting in the Best Revival of a Play in the still ground breaking Angels in America, while the Actresses Glenda Jackson and Laurie Metcalf came from Albee’s Three Tall Women. All three Nominees for Revival of a Musical took home at least an award with Once on This Island taking the big one of the night. Also Spongebob took home the award for best scenic design. It was a nice evening all in all with Josh Groban and Sara Bareilles doing a great job as hosts.
Something Rotten is a musical that is a grand old love letter to Broadway musicals. It tells the story of Nick Bottom and his brother Nigel, who are desperate for a hit show in 1595 England. Since Nick hates William Shakespeare because of The Bard’s success. The patron of Bottom’s acting troupe learns that it seems like Shakespeare will be doing Richard II, the play that Nick and Nigel are working on. Their patron leaves saying they need a new show by tomorrow or he will no longer patronize them. To make a sure fire hit Nick goes to a soothsayer and it’s Nostradamus, Thomas Nostradamus, the nephew of the famous one, to find out what the next big thing in theater will be, it turns out to be a musical. Nick is convinced and tries at first but his attempt with a musical about the plague doesn’t go over well. So Nick goes back to T. Nostradamus and ask what Shakespeare’s biggest play will be, and that will be the musical, it’s Hamlet but Nostradamus misinterprets it as Omelette instead, a musical about breakfast food. That’s the main story for the first act.
This turns out to be the greatest thing ever from the audience’s perspective as there are references to just about all of musical history from Oklahoma and South Pacific to Mary Poppins and Wicked. If you are a fan of musical you are bound to have some good laughs and who would have thought that have a recipe for an omelette in a song is the best thing in the world. If you have the opportunity to go see this I would highly recommend it. In a few year I could see this being one of the popular shows done at high schools.
The Telegraph offers a list of the 25 greatest Shakespeare characters and it is a rather interesting list. On this list there aren’t many of the brand-name characters like a Romeo, Juliet or a Hamlet and several are from lesser known plays like Comedy of Errors and Two Gentlemen of Verona. The run the gambit as well some are heroes other villains others are bit parts. Their list is as follows with my comments after each.
Rosalind (As You Like It): Greatest female characters by Shakespeare? I haven’t read or seen.
Prince Hal (Henry IV/V): This is reason to watch/read the Henriad. Prince Hal is the one character who changes the most from when we first meet him.
Richard II: Not that brilliant of a King and he goes mad what’s not to like about that.
Emilia (Othello): Iago’s wife and Desdemona’s maid servant is one of the most complex characters.
Malvolio (Twelfth Night): The puritanical steward of Olivia who is the butt of the jokes and torments. The greatest tragic character in the comedies.
The Witches (Macbeth): Everyone likes the witches and they’ve been just about everywhere.
Hotspur (Henry IV, part 1): The romantic of the history plays he seems like the better Henry compared to Hal but when it comes to a fight it doesn’t end well.
Viola (Twelfth Night): Sebastian’s twin sister who spends most of the time as Cesario, the most strong willed of Shakespeare’s women.
Shylock (The Merchant of Venice): A difficult character as it really depends on how you want to look at him how to interpret him monster, victim, clown?
Lady Macbeth (Macbeth): We all know she’s one of the most memorable female ever written.
Autolycus (The Winter’s Tale): Never seen or read this one either so I don’t know
Nurse (Romeo & Juliet): She’s the best mother character we see
Falstaff (Henry IV/Merry Wives of Windsor): Perhaps the greatest character in all of Shakespeare to have a drink with. He is my favorite.
Regan and Goneril (King Lear): The bad sisters in this wonderful family drama
Cassius (Julius Caesar): sets the assassination plot a foot and is sort of an early Iago-like character
Beatrice (Much Ado About Nothing): Wittiest of all the characters Shakespeare wrote
Tybalt (Romeo & Juliet): This guy really?
Drunken Porter (Macbeth): The strangest item on the list as I don’t even remember him at all
King Lear: “Everest” of acting roles this medieval/modern role that we sort of are living with today.
Dromio of Ephesus and Dromio of Syracuse (Comedy of Errors): Never seen/read before
Lance (Two Gentlemen of Verona): Never seen or read not a clue here
Timon (of Athens): starts rich goes poor, wants to see cities crumble
Mercutio (R+J): The fun loving, mercurial character who everyone likes the Riff to Romeo’s Tony.
Jaques (As You Like It): He’s got the All the World’s a stage speech
Richard III (Henry IV/Richard III): He’s got to be here the brilliant anti-hero before they were popular
So I need to read/see As Your Like It, Two Gentlemen of Verona, Winter’s Tale, and Comedy of Errors. It’s a fun list and I enjoy that it isn’t the same old Hamlet, Puck, Juliet and Romeo. Shakespeare wrote a lot of characters so it’s nice to see some who would slip your mind on a list.
Since today is a September 11th it is the perfect time to talk about this little musical about that little town named Gander, Newfoundland where 38 flights were diverted to on September 11, 2001. The musical is a mix of several types of music and it feel grounded. The musical is sort of a love letter to Gander and the people who were stranded there. Sure you can only see it in New York currently but this seems like it will be very popular in the small regional theaters across the country in the years to come. If you can take some time today take a listen to this show anywhere you find your music and/or read up about Operation Yellow Ribbon. This is a day to remember the capacity for human kindness in even the darkest of times and the triumph of humanity over hate. I know that for some their attention is on Florida and Houston currently but even if we look at these place there are brilliant signs of human kindness. We are truly “One Human Family” and we should care more about each other than most of us do. It would be wonderful if the world didn’t have to be falling apart for this kindness to come out. Let us all try to be more compassionate to one another no matter who they are or where they come from.
Everyone knows about the stage musicals Hamilton, 1776, and perhaps George M!. Along with the movie adaption of 1776 (with William Daniels) and Yankee Doodle Dandy. These are great musicals to bring out on Independence Day but there are a few others some like the First Lady and Daughter Suites by Michael John LaChuisa you might of heard of since the First Daughter Suite came out in 2015 which sort of revived interest in the First Lady Suite. However there are a couple more musical that I know of one if a Pulitzer Prize winner and the other was a legendary flop.
The Pulitzer Prize winner is Of Thee I Sing from The Gershwin Brothers with a book by George S. Kaufman and Morrie Ryskind. This musical is a satirical look at politics in America, it inspired The Marx Brothers classic film Duck Soup. Sure this is from way back in 1931 so the plot is pretty strange in the musical a Presidential candidate Wintergreen runs on a “love platform” and they have a beauty pageant to select the who Wintergreen will fall in love with. This doesn’t turn out as expected as Wintergreen falls for another girl. It is worth looking for to listen to and a version was on television in the 70s so you can see it if you want as well. I found out about this as I was looking up musicals that won a Pulitzer Prize since I was in two of them back in high school.
The flop is 1600 Pennsylvania Avenue and is from Leonard Bernstein and Alan Jay Lerner. It ran seven performances on Broadway. The musical tells the story of the White House from 1800-1900 and focuses on race relations. It came out in 1976 and the only time it was revived was in 1992 by the Indiana University Opera Theatre production and it also briefly ran at the Kennedy Center in Washington DC. However this has been turned into a Choral that sort of is the only way that you can hear most of the music today in A White House Cantata. Since the Bernstein estate controls the licensing of performances of the cantata version, but refuses to allow the performance, recording, or publication of the original musical. In early versions it was a weird sort of meta-musical where the actors would comment on what was happening at the time when the show moved to Broadway they eventually settled on the idea that “America is a play always in rehearsal full of constant revisions” and dropped the commentary sections. Technically there is no cast recording available to listen to but some of the songs have had a second life notably “Take Care of This House” which was preformed at the Carter Inauguration and has been covered by many others.
Sure there is good chance that the film Independence Day will be on somewhere today so if you are interested take a listen to one of the several musicals listen about or watch some thing the help you celebrate Independence Day.
These are two things that go together and have been since the beginnings. The Ancient Greeks had The Trojan Women and Lysistrata which were commentaries on events that the Greeks faced during the Peloponnesian War. Shakespeare did a great job at working politics into his works as well. This was transformed by the Soviets into Agitprop (Agitation propaganda). Politics have always been an influence to playwrights and still inspires directors today.
So when the news that the New York City’s Public Theatre’s Shakespeare in the Park production of Julius Caesar was using Donald Trump as a model for their Julius Caesar. I didn’t think it was out of line over the year many a President has been taken as a way for the audience to relate with the story. As Michael Kahn, Director of the Shakespeare Theatre Company in DC, notes in a Time article it is pretty hard to avoid mixing contemporary politics and Shakespeare together. It was a lens for us to look at the story and society has been doing it since at least a 1937 Orson Welles production where Caesar has fascist overtones, and over the years he’s been interpreted into just about every major political figure. Julius Caesar isn’t about the assassination or saying it is a good thing, Caesar even dies halfway through the play making Brutus perhaps the main character in the play.
Now we need to be able to live in a world where we are not walking on egg shells all the time and this seems to be what is happening in the world today. Everyone is on edge and ready to snap at the smallest problem. Yet if we look at other shows and even movies we can get to similar interpretation like how the upcoming film Geostorm, a film coming out this October, is a response to Trump withdrawal from the Paris Agreement.
First off it’s great that theater gets a night of the year but it would be great if like the local theater awards were televised as you are more likely to see something near you and like PBS could air them. Yes it’s great that NYC gets the top billing and is broadcast on national television so we get a glimpse of what new is happening on Broadway. Secondly, I think I’ve got to see Kevin Spacey’s Bobby Darin movie Beyond the Sea since who knew Spacey could sing.
This year was sort of like last year with one show winning most of the musical awards this year it was Pasek and Paul’s Dear Evan Hansen. Pasek and Paul are halfway to an EGOT now having also won the Oscar earlier this year. With what looks like a sure bet for a Grammy in the fall the only thing that is up in the air is an Emmy. Only time will tell. I for one would like it if we can get a year when more than one show can win. Evan Hansen is a story of high school, teen life, social media, mental disorder and suicide so it doesn’t interest me all that much perhaps a song or two were good. I didn’t think this was the strongest show of the season but you don’t have to like every Best musical winner. So Evan Hansen took home six awards the top ones musical, book, score, orchestration, Ben Platt, and featured actress. Great Comet took home two of the three design awards (lighting/scenic). Hello Dolly took home three (revival/Bette Midler/costumes), Come From Away took home best director and Bandstand took home one for Choreography. Hopefully, Tim Minchin and Dave Malloy have several more opportunities to take home an award in the coming years.
With the Tony Awards on this upcoming Sunday I was pleasantly surprised to see that Billboard is doing a bunch of Broadway articles this week. The most interesting one so far is on Tim Minchin, who did the music for Groundhog Day this year. previously he did the music for Matilda. It is unique as it look at the composition of one song and what inspired it. Now Minchin’s music in both of his musicals are pretty great. If you have some time and any interest in this topic take a look over on Billboard this week.
It’s a tougher year to pick what will win the major awards since there isn’t a single monolith like Hamilton this season on Broadway which will sweep everything. Over in the world of plays it’s really a two horse race for Best Play with Oslo or A Doll House Part 2 likely to win. For Revival while it would be great for August Wilson’s Jitney to win but it might be Little Foxes. In Musicals there is a good shot for all the shows nominated to win Best musical, sure Dear Evan Hansen has the most “buzz” about it but Come From Away could win since it’s about 9/11, yet Natasha, Pierre and the Great Comet of 1812 is a completely different show, and Groundhog Day is a decent show as well. This is the same for all the writing awards as well. If I had to pick for Best Musical it would be between Come From Away and The Great Comet a show I’ve been a fan of the cast recording from their off-Broadway days. With music I hope that Tim Minchin finally wins but it will be close with Dave Malloy’s …Great Comet, I really hope that Pasek and Paul aren’t given it since they’ve become household names this year with their Oscar win. As for revival of a musical it’s going to be Hello Dolly.
So with the success of NBC musical Live! they have two in the works currently with Bye Bye Birdie coming out this December/Holiday season and they have announced that they are going to have Jesus Christ Superstar next Easter. Fox has also been pretty successful with their Grease: Live will be doing two as well with A Christmas Story, based on the movie around Christmas time and they are also going to be doing RENT this seems like something FOX would be able to do as the network skews younger. Not to be left out ABC is putting it’s hat in the ring with one of their own. ABC announced that it will air The Wonderful World of Disney: The Little Mermaid Live!, a two-hour special is set to premiere Oct. 3, and is based on the 1989 animated Disney film, blended with live musical performances. How this is going to be in anyone’s guess but it sounds like perhaps like a concert version of the musical. Hopefully there is some time between all these Live musical events. CBS is now the only major network without a live musical scheduled, perhaps next year.
All these TV musicals isn’t the strangest news that I read recently about musical but that there is going to be a King Kong musical which is coming to Broadway. It sounds like a difficult musical as you need a gigantic ape to show up at some time, The show which opened in Australia way back in 2013 had groups of on-stage and off-stage puppeteers work to manipulate the large-scale Ape puppet. It sounds interesting as Jason Robert Brown is working on it but the selling point is the puppet/animatronic/marionette Kong.
Today is one of the weirdest traditions that exists. As we rely on a Groundhog to tell us how soon winter will be over. It goes back to at least 1841 when in a diary a store keeper noted that “according to the Germans, the Groundhog peeps out of his winter quarters and if he sees his shadow he pops back for another six weeks nap, but if the day be cloudy he remains out, as the weather is to be moderate.” This is similar to other ideas notably poems which come from England, Scotland and Germany which all indicate that if it is sunny winter will be a bit longer as opposed to a cloudy day which would indicate that more spring like weather is to come. This is tied to Imbolc the date between Winter Solstice and the Spring Equinox, It’s a pagan thing. There are other traditions from Europe where it’s a bear awakening from hibernation and it seeing it’s shadow which indicates if winter will remain or be over.
There are several Groundhog Day celebrations celebrated across North America, the largest one is held in Punxsutawney, Pennsylvania where about 40,000 people attended yearly since around 1886. This is a strange tradition but it did give us one great movie Groundhog Day, which is bound to be on television somewhere today. There also is a musical version as well which got raves in London and is opening on Broadway in March. I haven’t heard anything from the show so I haven’t a clue about how the music is or how much it differs from the movie.