Theatre and Politics

These are two things that go together and have been since the beginnings. The Ancient Greeks had The Trojan Women and Lysistrata which were commentaries on events that the Greeks faced during the Peloponnesian War. Shakespeare did a great job at working politics into his works as well. This was transformed by the Soviets into Agitprop (Agitation propaganda). Politics have always been an influence to playwrights and still inspires directors today.

So when the news that the New York City’s Public Theatre’s Shakespeare in the Park production of Julius Caesar was using Donald Trump as a model for their Julius Caesar. I didn’t think it was out of line over the year many a President has been taken as a way for the audience to relate with the story. As Michael Kahn, Director of the Shakespeare Theatre Company in DC, notes in a Time article it is pretty hard to avoid mixing contemporary politics and Shakespeare together. It was a lens for us to look at the story and society has been doing it since at least a 1937 Orson Welles production where Caesar has fascist overtones, and over the years he’s been interpreted into just about every major political figure. Julius Caesar isn’t about the assassination or saying it is a good thing, Caesar even dies halfway through the play making Brutus perhaps the main character in the play.

Now we need to be able to live in a world where we are not walking on egg shells all the time and this seems to be what is happening in the world today. Everyone is on edge and ready to snap at the smallest problem. Yet if we look at other shows and even movies we can get to similar interpretation like how the upcoming film Geostorm, a film coming out this October, is a response to Trump withdrawal from the Paris Agreement.

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